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	<title>Over-soul &#187; Literature</title>
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	<link>http://over-soul.org</link>
	<description>"The Supreme Critic on the errors of the past and the present, and the only prophet of that which must be, is that great nature in which we rest, as the earth lies in the soft arms of the atmosphere; that Unity, that Over-soul, within which every man's particular being is contained and made one with all other."</description>
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		<title>The Sphynx</title>
		<link>http://over-soul.org/2011/11/the-sphynx/</link>
		<comments>http://over-soul.org/2011/11/the-sphynx/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 13:25:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Herman Melville]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1854</guid>
		<description><![CDATA[A short space elapsed, and up into this noiselessness came Ahab alone from his cabin. Taking a few turns on the quarter-deck, he paused to gaze over the side, then slowly getting into the main-chains he took Stubb&#8217;s long spade &#8211; still remaining there after the whale&#8217;s decapitation &#8211; and striking it into the lower [...]]]></description>
			<content:encoded><![CDATA[<p>A short space elapsed, and up into this noiselessness came Ahab alone from his cabin. Taking a few turns on the quarter-deck, he paused to gaze over the side, then slowly getting into the main-chains he took Stubb&#8217;s long spade &#8211; still remaining there after the whale&#8217;s decapitation &#8211; and striking it into the lower part of the half- suspended mass, placed its other end crutch-wise under one arm, and so stood leaning over with eyes attentively fixed on this head.</p>
<p>It was a black and hooded head; and hanging there in the midst of so intense a calm, it seemed the Sphynx&#8217;s in the desert. &#8220;Speak, thou vast and venerable head,&#8221; muttered Ahab, &#8220;which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world&#8217;s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor&#8217;s side, where sleepless mothers would give their lives to lay them down. Thou saw&#8217;st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw&#8217;st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed &#8211; while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!&#8221;</p>
<p>Herman Melville, <em>Moby Dick</em></p>
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		<item>
		<title>The Funeral</title>
		<link>http://over-soul.org/2011/11/the-funeral/</link>
		<comments>http://over-soul.org/2011/11/the-funeral/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 13:22:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Herman Melville]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1852</guid>
		<description><![CDATA[&#8220;Haul in the chains! Let the carcase go astern!&#8221; The vast tackles have now done their duty. The peeled white body of the beheaded whale flashes like a marble sepulchre; though changed in hue, it has not perceptibly lost anything in bulk. it is still colossal. slowly it floats more and more away, the water [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Haul in the chains! Let the carcase go astern!&#8221; The vast tackles have now done their duty. The peeled white body of the beheaded whale flashes like a marble sepulchre; though changed in hue, it has not perceptibly lost anything in bulk. it is still colossal. slowly it floats more and more away, the water round it torn and splashed by the insatiate sharks, and the air above vexed with rapacious flights of screaming fowls, whose beaks are like so many insulting poniards in the whale. The vast white headless phantom floats further and further from the ship, and every rod that it so floats, what seem square roods of sharks and cubic roods of fowls, augment the murderous din. For hours and hours from the almost stationary ship that hideous sight is seen. Beneath the unclouded and mild azure sky, upon the fair face of the pleasant sea, wafted by the joyous breezes, that great mass of death floats on and on, till lost in infinite perspectives.</p>
<p>There&#8217;s a most doleful and most mocking funeral! The sea-vultures all in pious mourning, the air-sharks all punctiliously in black or speckled. In life but few of them would have helped the whale, I ween, if peradventure he had needed it; but upon the banquet of his funeral they most piously do pounce. Oh, horrible vultureism of earth! from which not the mightiest whale is free.</p>
<p>Nor is this the end. Desecrated as the body is, a vengeful ghost survives and hovers over it to scare. Espied by some timid man-of-war or blundering discovery-vessel from afar, when the distance obscuring the swarming fowls, nevertheless still shows the white mass floating in the sun, and the white spray heaving high against it; straightway the whale&#8217;s unharming corpse, with trembling fingers is set down in the log &#8211; shoals, rocks, and breakers hereabouts: beware! And for years afterwards,perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum, because their leader originally leaped there when a stick was held. There&#8217;s your law of precedents; there&#8217;s your utility of traditions; there&#8217;s the story of your obstinate survival of old beliefs never bottomed on the earth, and now not even hovering in the air! There&#8217;s orthodoxy!</p>
<p>Thus, while in life the great whale&#8217;s body may have been a real terror to his foes, in his death his ghost becomes a powerless panic to a world.</p>
<p>Are you a believer in ghosts, my friend? There are other ghosts than the Cock-Lane one, and far deeper men than Doctor Johnson who believe in them.</p>
<p>Herman Melville, <em>Moby Dick</em></p>
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		<title>A Faery Loved a Little Child</title>
		<link>http://over-soul.org/2011/02/a-faery-loved-a-little-child/</link>
		<comments>http://over-soul.org/2011/02/a-faery-loved-a-little-child/#comments</comments>
		<pubDate>Thu, 24 Feb 2011 00:11:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1420</guid>
		<description><![CDATA[A faery loved a little child who used to cut turf at the side of a faery hill. Every day the faery put out his hand from the hill with an enchanted knife. The child used to cut the turf with the knife. It did not take long, the knife being charmed. Her brothers wondered [...]]]></description>
			<content:encoded><![CDATA[<p>A faery loved a little child who used to cut turf at the side of a faery hill. Every day the faery put out his hand from the hill with an enchanted knife. The child used to cut the turf with the knife. It did not take long, the knife being charmed. Her brothers wondered why she was done so quickly. At last they resolved to watch, and find out who helped her. They saw the small hand come out of the earth, and the little child take from it the knife. When the turf was all cut, they saw her make three taps on the ground with the handle. The small hand came out of the hill. Snatching the knife from the child, they cut the hand off with a blow. The faery was never again seen. He drew his bleeding arm into the earth, thinking, as it is recorded, he had lost his hand through the treachery of the child.</p>
<p>W. B. Yeats, <em><a href="http://filepedia.org/the-celtic-twilight">The Celtic Twilight</a></em></p>
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		<title>The Religion of a Sailor</title>
		<link>http://over-soul.org/2011/02/the-religion-of-a-sailor/</link>
		<comments>http://over-soul.org/2011/02/the-religion-of-a-sailor/#comments</comments>
		<pubDate>Tue, 22 Feb 2011 20:34:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1417</guid>
		<description><![CDATA[A sea captain when he stands upon the bridge, or looks out from his deck−house, thinks much about God and about the world. Away in the valley yonder among the corn and the poppies men may well forget all things except the warmth of the sun upon the face, and the kind shadow under the [...]]]></description>
			<content:encoded><![CDATA[<p>A sea captain when he stands upon the bridge, or looks out from his deck−house, thinks much about God and about the world. Away in the valley yonder among the corn and the poppies men may well forget all things except the warmth of the sun upon the face, and the kind shadow under the hedge; but he who journeys through storm and darkness must needs think and think. One July a couple of years ago I took my supper with a Captain Moran on board the S.S. Margaret, that had put into a western river from I know not where. I found him a man of many notions all flavoured with his personality, as is the way with sailors. He talked in his queer sea manner of God and the world, and up through all his words broke the hard energy of his calling.</p>
<p>&#8220;Sur,&#8221; said he, &#8220;did you ever hear tell of the sea captain&#8217;s prayer?&#8221;</p>
<p>&#8220;No,&#8221; said I; &#8220;what is it?&#8221;</p>
<p>&#8220;It is,&#8221; he replied, &#8220;&#8216;O Lord, give me a stiff upper lip.&#8217;&#8221;</p>
<p>&#8220;And what does that mean?&#8221;</p>
<p>&#8220;It means,&#8221; he said, &#8220;that when they come to me some night and wake me up, and say, &#8216;Captain, we&#8217;re going down,&#8217; that I won&#8217;t make a fool o&#8217; meself. Why, sur, we war in mid Atlantic, and I standin&#8217; on the bridge, when the third mate comes up to me looking mortial bad. Says he, &#8216;Captain, all&#8217;s up with us.&#8217; Says I, &#8216;Didn&#8217;t you know when you joined that a certain percentage go down every year?&#8217; &#8216;Yes, sur,&#8217; says he; and says I, &#8216;Arn&#8217;t you paid to go down?&#8217; &#8216;Yes, sur,&#8217; says he; and says I, &#8216;Then go down like a man, and be damned to you!&#8221;&#8216;</p>
<p>W. B. Yeats, <em><a href="http://filepedia.org/the-celtic-twilight">The Celtic Twilight</a></em></p>
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		<title>The Condition of Quiet That is the Condition of Vision</title>
		<link>http://over-soul.org/2011/02/the-condition-of-quiet-that-is-the-condition-of-vision/</link>
		<comments>http://over-soul.org/2011/02/the-condition-of-quiet-that-is-the-condition-of-vision/#comments</comments>
		<pubDate>Mon, 21 Feb 2011 16:17:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1415</guid>
		<description><![CDATA[Even to−day our country people speak with the dead and with some who perhaps have never died as we understand death; and even our educated people pass without great difficulty into the condition of quiet that is the condition of vision. We can make our minds so like still water that beings gather about us [...]]]></description>
			<content:encoded><![CDATA[<p>Even to−day our country people speak with the dead and with some who perhaps have never died as we understand death; and even our educated people pass without great difficulty into the condition of quiet that is the condition of vision. We can make our minds so like still water that beings gather about us that they may see, it may be, their own images, and so live for a moment with a clearer, perhaps even with a fiercer life because of our quiet. Did not the wise Porphyry think that all souls come to be born because of water, and that &#8220;even the generation of images in the mind is from water&#8221;?</p>
<p>W. B. Yeats, <em><a href="http://filepedia.org/the-celtic-twilight">The Celtic Twilight</a></em></p>
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		<title>The Miraculous Mildness of Her Face</title>
		<link>http://over-soul.org/2011/02/the-miraculous-mildness-of-her-face/</link>
		<comments>http://over-soul.org/2011/02/the-miraculous-mildness-of-her-face/#comments</comments>
		<pubDate>Sun, 20 Feb 2011 14:14:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1413</guid>
		<description><![CDATA[But what filled me with wonder was the miraculous mildness of her face. There are no such faces now. It was beautiful, as few faces are beautiful, but it had neither, one would think, the light that is in desire or in hope or in fear or in speculation. It was peaceful like the faces [...]]]></description>
			<content:encoded><![CDATA[<p>But what filled me with wonder was the miraculous mildness of her face. There are no such faces now. It was beautiful, as few faces are beautiful, but it had neither, one would think, the light that is in desire or in hope or in fear or in speculation. It was peaceful like the faces of animals, or like mountain pools at evening, so peaceful that it was a little sad.</p>
<p>W. B. Yeats, <em><a href="http://filepedia.org/the-celtic-twilight">The Celtic Twilight</a></em></p>
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		<title>Belief and Unbelief</title>
		<link>http://over-soul.org/2010/10/belief-and-unbelief/</link>
		<comments>http://over-soul.org/2010/10/belief-and-unbelief/#comments</comments>
		<pubDate>Sat, 23 Oct 2010 01:03:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1106</guid>
		<description><![CDATA[There are some doubters even in the western villages. One woman told me last Christmas that she did not believe either in hell or in ghosts. Hell she thought was merely an invention got up by the priest to keep people good; and ghosts would not be permitted, she held, to go &#8220;trapsin about the [...]]]></description>
			<content:encoded><![CDATA[<p>There are some doubters even in the western villages. One woman told me last Christmas that she did not believe either in hell or in ghosts. Hell she thought was merely an invention got up by the priest to keep people good; and ghosts would not be permitted, she held, to go &#8220;trapsin about the earth&#8221; at their own free will; &#8220;but there are faeries,&#8221; she added, &#8220;and little leprechauns, and water-horses, and fallen angels.&#8221; I have met also a man with a mohawk Indian tattooed upon his arm, who held exactly similar beliefs and unbeliefs. No matter what one doubts one never doubts the faeries, for, as the man with the mohawk Indian on his arm said to me, &#8220;they stand to reason.&#8221; Even the official mind does not escape this faith.</p>
<p>A little girl who was at service in the village of Grange, close under the seaward slopes of Ben Bulben, suddenly disappeared one night about three years ago. There was at once great excitement in the neighbourhood, because it was rumoured that the faeries had taken her. A villager was said to have long struggled to hold her from them, but at last they prevailed, and he found nothing in his hands but a broomstick. The local constable was applied to, and he at once instituted a house-to-house search, and at the same time advised the people to burn all the bucalauns (ragweed) on the field she vanished from, because bucalauns are sacred to the faeries. They spent the whole night burning them, the constable repeating spells the while. In the morning the little girl was found, the story goes, wandering in the field. She said the faeries had taken her away a great distance, riding on a faery horse. At last she saw a big river, and the man who had tried to keep her from being carried off was drifting down it&#8211;such are the topsy-turvydoms of faery glamour&#8211;in a cockleshell. On the way her companions had mentioned the names of several people who were about to die shortly in the village.</p>
<p>Perhaps the constable was right. It is better doubtless to believe much unreason and a little truth than to deny for denial&#8217;s sake truth and unreason alike, for when we do this we have not even a rush candle to guide our steps, not even a poor sowlth to dance before us on the marsh, and must needs fumble our way into the great emptiness where dwell the mis-shapen dhouls. And after all, can we come to so great evil if we keep a little fire on our hearths and in our souls, and welcome with open hand whatever of excellent come to warm itself, whether it be man or phantom, and do not say too fiercely, even to the dhouls themselves, &#8220;Be ye gone&#8221;? When all is said and done, how do we not know but that our own unreason may be better than another&#8217;s truth? for it has been warmed on our hearths and in our souls, and is ready for the wild bees of truth to hive in it, and make their sweet honey. Come into the world again, wild bees, wild bees!</p>
<p>W. B. Yeats, <em>The Celtic Twilight</em></p>
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		<title>Threads of Life</title>
		<link>http://over-soul.org/2010/10/threads-of-life/</link>
		<comments>http://over-soul.org/2010/10/threads-of-life/#comments</comments>
		<pubDate>Sat, 23 Oct 2010 00:37:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1102</guid>
		<description><![CDATA[The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best. I too have woven my garment like another, but I shall try to keep warm in it, [...]]]></description>
			<content:encoded><![CDATA[<p>The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best. I too have woven my garment like another, but I shall try to keep warm in it, and shall be well content if it do not unbecome me.</p>
<p>Hope and Memory have one daughter and her name is Art, and she has built her dwelling far from the desperate field where men hang out their garments upon forked boughs to be banners of battle. O beloved daughter of Hope and Memory, be with me for a little.</p>
<p>W. B. Yeats, <em>The Celtic Twilight</em></p>
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		<title>A Little Bright-eyed Old Man</title>
		<link>http://over-soul.org/2010/10/a-little-bright-eyed-old-man/</link>
		<comments>http://over-soul.org/2010/10/a-little-bright-eyed-old-man/#comments</comments>
		<pubDate>Sat, 23 Oct 2010 00:36:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1100</guid>
		<description><![CDATA[Many of the tales in this book were told me by one Paddy Flynn, a little bright-eyed old man, who lived in a leaky and one-roomed cabin in the village of Ballisodare, which is, he was wont to say, &#8220;the most gentle&#8221;&#8211;whereby he meant faery&#8211;&#8221;place in the whole of County Sligo.&#8221; Others hold it, however, [...]]]></description>
			<content:encoded><![CDATA[<p>Many of the tales in this book were told me by one Paddy Flynn, a little bright-eyed old man, who lived in a leaky and one-roomed cabin in the village of Ballisodare, which is, he was wont to say, &#8220;the most gentle&#8221;&#8211;whereby he meant faery&#8211;&#8221;place in the whole of County Sligo.&#8221; Others hold it, however, but second to Drumcliff and Drumahair. The first time I saw him he was cooking mushrooms for himself; the next time he was asleep under a hedge, smiling in his sleep. He was indeed always cheerful, though I thought I could see in his eyes (swift as the eyes of a rabbit, when they peered out of their wrinkled holes) a melancholy which was well-nigh a portion of their joy; the visionary melancholy of purely instinctive natures and of all animals.</p>
<p>And yet there was much in his life to depress him, for in the triple solitude of age, eccentricity, and deafness, he went about much pestered by children. It was for this very reason perhaps that he ever recommended mirth and hopefulness. He was fond, for instance, of telling how Collumcille cheered up his mother. &#8220;How are you to-day, mother?&#8221; said the saint. &#8220;Worse,&#8221; replied the mother. &#8220;May you be worse to-morrow,&#8221; said the saint. The next day Collumcille came again, and exactly the same conversation took place, but the third day the mother said, &#8220;Better, thank God.&#8221; And the saint replied, &#8220;May you be better to-morrow.&#8221; He was fond too of telling how the Judge smiles at the last day alike when he rewards the good and condemns the lost to unceasing flames. He had many strange sights to keep him cheerful or to make him sad. I asked him had he ever seen the faeries, and got the reply, &#8220;Am I not annoyed with them?&#8221; I asked too if he had ever seen the banshee. &#8220;I have seen it,&#8221; he said, &#8220;down there by the water, batting the river with its hands.&#8221;</p>
<p>W. B. Yeats, <em>The Celtic Twilight</em></p>
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		<title>Why Have I Lived?</title>
		<link>http://over-soul.org/2010/08/why-have-i-lived/</link>
		<comments>http://over-soul.org/2010/08/why-have-i-lived/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 04:43:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Mikhail Lermontov]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1071</guid>
		<description><![CDATA[I run through the memory of my past in its entirety and can&#8217;t help asking myself: why have I lived? For what purpose was I born? . . . There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . . But [...]]]></description>
			<content:encoded><![CDATA[<p>I run through the memory of my past in its entirety and can&#8217;t help asking myself: why have I lived? For what purpose was I born? . . . There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . . But I didn&#8217;t divine this calling. I was carried away with the bait of passions, empty and unrewarding. I came out of their crucible as hard and cold as iron, but I had lost forever the ardor for noble aspirations, the best flower of life . . .</p>
<p><em>A Hero of Our Time</em></p>
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		<title>The Fall of a Sparrow</title>
		<link>http://over-soul.org/2010/02/the-fall-of-a-sparrow/</link>
		<comments>http://over-soul.org/2010/02/the-fall-of-a-sparrow/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 06:03:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1054</guid>
		<description><![CDATA[There ’s a special providence in the fall of a sparrow. If it be now, ’t is not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all. Since no man has aught of what he leaves, what is ’t [...]]]></description>
			<content:encoded><![CDATA[<p>There ’s a special providence in the fall of a sparrow. If it be now, ’t is not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all. Since no man has aught of what he leaves, what is ’t to leave betimes?</p>
<p>William Shakespeare, <em>Hamlet</em></p>
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		<title>Beauty Is a Fearful and Terrible Thing!</title>
		<link>http://over-soul.org/2010/01/beauty-is-a-fearful-and-terrible-thing/</link>
		<comments>http://over-soul.org/2010/01/beauty-is-a-fearful-and-terrible-thing/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 20:57:32 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Fyodor Dostoevsky]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=1007</guid>
		<description><![CDATA[But enough poetry! I shed tears; well, then, let me cry. Maybe everyone will laugh at this foolishness, but you won&#8217;t. Your eyes are shining, too. Enough poetry. I want to tell you now about the &#8216;insects,&#8217; about those to whom God gave sensuality: To insects—sensuality! I am that very insect, brother, and those words [...]]]></description>
			<content:encoded><![CDATA[<p>But enough poetry! I shed tears; well, then, let me cry. Maybe everyone will laugh at this foolishness, but you won&#8217;t. Your eyes are shining, too. Enough poetry. I want to tell you now about the &#8216;insects,&#8217; about those to whom God gave sensuality:</p>
<p>To insects—sensuality!</p>
<p>I am that very insect, brother, and those words are precisely about me. And all of us Karamazovs are like that, and in you, an angel, the same insect lives and stirs up storms in your blood. Storms, because sensuality is a storm, more than a storm! Beauty is a fearful and terrible thing! Fearful because it&#8217;s undefinable, and it cannot be defined, because here God gave us only riddles. Here the shores converge, here all contradictions live together. I&#8217;m a very uneducated man, brother, but I&#8217;ve thought about it a lot. So terribly many mysteries! Too many riddles oppress man on earth. Solve them if you can without getting your feet wet. Beauty! Besides, I can&#8217;t bear it that some man, even with a lofty heart and the highest mind, should start from the ideal of the Madonna and end with the ideal of Sodom. It&#8217;s even more fearful when someone who already has the ideal of Sodom in his soul does not deny the ideal of the Madonna either, and his heart burns with it, verily, verily burns, as in his young, blameless years. No, man is broad, even too broad, I would narrow him down. Devil knows even what to make of him, that&#8217;s the thing! What&#8217;s shame for the mind is beauty all over for the heart. Can there be beauty in Sodom? Believe me, for the vast majority of people, that&#8217;s just where beauty lies—did you know that secret? The terrible thing is that beauty is not only fearful but also mysterious. Here the devil is struggling with God, and the battlefield is the human heart. But, anyway, why kick against the pricks? Listen, now to real business.</p>
<p><em>The Brothers Karamazov</em></p>
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		<title>Language of Looks</title>
		<link>http://over-soul.org/2009/10/language-of-looks/</link>
		<comments>http://over-soul.org/2009/10/language-of-looks/#comments</comments>
		<pubDate>Sat, 10 Oct 2009 01:50:08 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Mikhail Lermontov]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=970</guid>
		<description><![CDATA[How well I understand this language of looks, mute but expressive, terse but emphatic. A Hero of Our Time]]></description>
			<content:encoded><![CDATA[<p>How well I understand this language of looks, mute but expressive, terse but emphatic.</p>
<p><em>A Hero of Our Time</em></p>
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		<title>I Ought to Hate You</title>
		<link>http://over-soul.org/2009/10/i-ought-to-hate-you/</link>
		<comments>http://over-soul.org/2009/10/i-ought-to-hate-you/#comments</comments>
		<pubDate>Fri, 02 Oct 2009 02:09:04 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Mikhail Lermontov]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=966</guid>
		<description><![CDATA[&#8216;Tell me, does it amuse you very much to torture me? I ought to hate you. Ever since I&#8217;ve known you, you&#8217;ve brought nothing but suffering&#8230;&#8217; Her voice trembled, she leaned towards me and lowered her head upon my breast. Perhaps that&#8217;s why you loved me, I thought. Moments of happiness one forgets, but sorrow [...]]]></description>
			<content:encoded><![CDATA[<p>&#8216;Tell me, does it amuse you very much to torture me? I ought to hate you. Ever since I&#8217;ve known you, you&#8217;ve brought nothing but suffering&#8230;&#8217;<br />
Her voice trembled, she leaned towards me and lowered her head upon my breast.<br />
Perhaps that&#8217;s why you loved me, I thought. Moments of happiness one forgets, but sorrow never.</p>
<p><em>A Hero of Our Time</em></p>
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		<title>A Damp, Drizzly November in My Soul</title>
		<link>http://over-soul.org/2009/06/a-damp-drizzly-november-in-my-soul/</link>
		<comments>http://over-soul.org/2009/06/a-damp-drizzly-november-in-my-soul/#comments</comments>
		<pubDate>Tue, 23 Jun 2009 02:44:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Herman Melville]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=926</guid>
		<description><![CDATA[Some years ago – never mind how long precisely – having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating [...]]]></description>
			<content:encoded><![CDATA[<p>Some years ago – never mind how long precisely – having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off – then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.</p>
<p>Herman Melville, <em>Moby Dick</em></p>
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		<title>The Last Little Star</title>
		<link>http://over-soul.org/2009/04/the-last-little-star/</link>
		<comments>http://over-soul.org/2009/04/the-last-little-star/#comments</comments>
		<pubDate>Thu, 23 Apr 2009 17:07:06 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Rilke]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=839</guid>
		<description><![CDATA[I want to put flowers in your hair. But what flowers? There are none with touching enough simplicity. And from what May would I fetch them? But I’m convinced now that you always have a wreath in your hair…or a crown…I’ve never seen you in any other way. I’ve never seen you without wanting to [...]]]></description>
			<content:encoded><![CDATA[<p>I want to put flowers in your hair. But what flowers? There are none with touching enough simplicity. And from what May would I fetch them? But I’m convinced now that you always have a wreath in your hair…or a crown…I’ve never seen you in any other way.</p>
<p>I’ve never seen you without wanting to pray to you. I’ve never heard you without wanting to place my faith in you. I’ve never longed for you without wanting to suffer for your sake. I’ve never desired you without wanting to be able to kneel before you.</p>
<p>I am yours as the staff is the pilgrim’s-only I don’t support you. I am yours as the scepter is the queen’s-only I don’t enrich you. I am yours as the last little star is the night’s, even though the night may be scarcely aware of it and have no knowledge of its glimmer.</p>
<p>Rilke</p>
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		<title>A Thief of Fire!</title>
		<link>http://over-soul.org/2009/04/a-thief-of-fire/</link>
		<comments>http://over-soul.org/2009/04/a-thief-of-fire/#comments</comments>
		<pubDate>Sun, 19 Apr 2009 19:36:38 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Reflections]]></category>
		<category><![CDATA[Rimbaud]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=805</guid>
		<description><![CDATA[The first study for the man who wants to be a poet is knowledge of himself, complete: he searches for his soul, he inspects it, he puts it to the test, he learns it. As soon as he has learned it, he must cultivate it! I say that one must be a seer, make oneself [...]]]></description>
			<content:encoded><![CDATA[<p>The first study for the man who wants to be a poet is knowledge of himself, complete: he searches for his soul, he inspects it, he puts it to the test, he learns it. As soon as he has learned it, he must cultivate it! I say that one must be a seer, make oneself a seer. The poet becomes a seer through a long, immense, and reasoned derangement of all the senses. All shapes of love, suffering, madness. He searches himself, he exhausts all poisons in himself, to keep only the quintessences. Ineffable torture where he needs all his faith, all his superhuman strength, where he becomes among all men the great patient, the great criminal, the great accursed one&#8211;and the supreme Scholar! For he reaches the unknown! &#8230;.So the poet is actually a thief of Fire!</p>
<p>Rimbaud</p>
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		<title>The Secrets of Life</title>
		<link>http://over-soul.org/2009/04/the-secrets-of-life/</link>
		<comments>http://over-soul.org/2009/04/the-secrets-of-life/#comments</comments>
		<pubDate>Sat, 18 Apr 2009 16:31:34 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Reflections]]></category>
		<category><![CDATA[Rilke]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=799</guid>
		<description><![CDATA[If we wish to be let in on the secrets of life, we must be mindful of two things: first, there is the great melody to which things and scents, feelings and past lives, dawns and dreams contribute in equal measure, and then there are the individual voices that complete and perfect this full chorus. [...]]]></description>
			<content:encoded><![CDATA[<p>If we wish to be let in on the secrets of life, we must be mindful of two things: first, there is the great melody to which things and scents, feelings and past lives, dawns and dreams contribute in equal measure, and then there are the individual voices that complete and perfect this full chorus. And to establish the basis for a work of art, that is, for an image of life lived more deeply, lived more than life as it is lived today, and as the possibility that it remains throughout the ages, we have to adjust and set into their proper relation these two voices: the <em>one </em>belonging to a specific moment and the <em>other </em>to the group of people living in it.</p>
<p>Rilke, <em>Letters on Life</em></p>
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		<title>Our Hands</title>
		<link>http://over-soul.org/2009/04/our-hands/</link>
		<comments>http://over-soul.org/2009/04/our-hands/#comments</comments>
		<pubDate>Sat, 18 Apr 2009 16:22:47 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Reflections]]></category>
		<category><![CDATA[Rilke]]></category>

		<guid isPermaLink="false">http://over-soul.org/?p=796</guid>
		<description><![CDATA[Seeing is for us the most authentic possibility of acquiring something. If god had only made our hands to be like our eyes&#8211;so ready to grasp, so willing to relinquish all things&#8211;then we could truly acquire wealth. We do not acquire wealth by letting something remain and wilt in our hands but only by letting [...]]]></description>
			<content:encoded><![CDATA[<p>Seeing is for us the most authentic possibility of acquiring something. If god had only made our hands to be like our eyes&#8211;so ready to grasp, so willing to relinquish all things&#8211;then we could truly acquire wealth. We do not acquire wealth by letting something remain and wilt in our hands but only by letting everything pass through their grasp as if through the festive gate of return and homecoming. Our hands ought not to be a coffin for us but a bed sheltering the twilight slumber and dreams of the things held there, out of whose depths their dearest secrets speak. Once out of our hands, however, things ought to move forward, now sturdy and strong, and we should keep nothing of them but the courageous morning melody that hovers and shimmers behind their fading steps.</p>
<p>For property is poverty and fear; only to have possessed something and to have let go of it means carefree ownership!</p>
<p>Rilke, <em>Letters on Life</em></p>
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		<title>Oh You Rationalists!</title>
		<link>http://over-soul.org/2008/12/oh-you-rationalists/</link>
		<comments>http://over-soul.org/2008/12/oh-you-rationalists/#comments</comments>
		<pubDate>Mon, 15 Dec 2008 18:03:55 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Goethe]]></category>

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		<description><![CDATA[&#8220;Oh you rationalists,&#8221; I replied, smiling. &#8220;Passion! Drunkenness! Madness! You moral creatures, so calm and so righteous! You abhor the drunken man and detest the eccentric; you pass by, like the Levite, and thank God, like the Pharisee, that you are not one of them. I have been drunk more than once, my passions have [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Oh you rationalists,&#8221; I replied, smiling. &#8220;Passion! Drunkenness! Madness! You moral creatures, so calm and so righteous! You abhor the drunken man and detest the eccentric; you pass by, like the Levite, and thank God, like the Pharisee, that you are not one of them.  I have been drunk more than once, my passions have always bordered on madness, and I&#8217;m not ashamed to confess it.  I&#8217;ve learned in my own way that all extraordinary men who have done great and improbable things have ever been decried by the world as drunk or insane.  And in ordinary life too, is it not intolerable that no one can undertake anything noble or generous without having everybody shout, &#8216;That fellow is drunk, he is mad&#8217;? Shame on you, ye sages!&#8221;</p>
<p>Goethe, <em>The Sorrows of Young Werther</em></p>
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		<title>This Brother is the Pulse of the New Age</title>
		<link>http://over-soul.org/2008/12/this-brother-is-the-pulse-of-the-new-age/</link>
		<comments>http://over-soul.org/2008/12/this-brother-is-the-pulse-of-the-new-age/#comments</comments>
		<pubDate>Fri, 12 Dec 2008 18:25:31 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Novalis]]></category>

		<guid isPermaLink="false">http://www.alionline.net/notes/2008/12/this-brother-is-the-pulse-of-the-new-age/</guid>
		<description><![CDATA[Only through a more exact knowledge of religion will one be able to judge the dreadful products of a religious sleep, those dreams and deliria of the sacred organ. Only then will one be able to assess properly the importance of such a gift. Where there are no gods, phantoms rule. The period of the [...]]]></description>
			<content:encoded><![CDATA[<p>Only through a more exact knowledge of religion will one be able to judge the dreadful products of a religious sleep, those dreams and deliria of the sacred organ. Only then will one be able to assess properly the importance of such a gift. Where there are no gods, phantoms rule. The period of the genesis of European phantoms, which also rather completely explains their form, is the period of transition from Greek mythology to Christianity. So come then, you philanthropists and encyclopedists, into the peace making lodge and receive the kiss of brotherhood! Strip off your grey veil and look with young love at the miraculous magnificence of nature, history and humanity. I want to lead you to a brother who shall speak to you so that your hearts will open again, and so that your dormant intuition, now clothed with a new body, will again embrace and recognize what you feel and what your ponderous earthly intellect cannot grasp.</p>
<p>This brother is the pulse of the new age. Who has felt him does not doubt its coming, and with a sweet pride in his generation steps forward from the mass into the new band of disciples. He has made a new veil for the saints, which betrays their heavenly figure by fitting so close and yet which conceals them more chastely than before. The veil is for the virgin what the spirit is for the body: its indispensable organ, whose folds are the letters of her sweet annunciation. The infinite play of these folds is a secret music, for language is too wooden and impudent for the virgin, whose lips open only for song. To me it is nothing more than the solemn call to a new assembly, the powerful beating of wings of a passing angelic herald. They are the first labor pains; let everyone prepare himself for the birth.</p>
<p>Novalis</p>
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		<item>
		<title>And It is a Good Thing</title>
		<link>http://over-soul.org/2008/12/and-it-is-a-good-thing/</link>
		<comments>http://over-soul.org/2008/12/and-it-is-a-good-thing/#comments</comments>
		<pubDate>Wed, 10 Dec 2008 23:08:59 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Van Gogh]]></category>

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		<description><![CDATA[And it is a good thing in winter to be deep in the snow, in the autumn deep in the yellow leaves, in summer among the ripe corn, in spring amid the grass; it is a good thing to be always with the mowers and the peasant girls, in summer with a big sky overhead, [...]]]></description>
			<content:encoded><![CDATA[<p>And it is a good thing in winter to be deep in the snow, in the autumn deep in the yellow leaves, in summer among the ripe corn, in spring amid the grass; it is a good thing to be always with the mowers and the peasant girls, in summer with a big sky overhead, in winter by the fireside, and to feel that it has always been and will always be so.</p>
<p>Van Gogh</p>
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		<title>This is What You Shall Do</title>
		<link>http://over-soul.org/2008/12/this-is-what-you-shall-do/</link>
		<comments>http://over-soul.org/2008/12/this-is-what-you-shall-do/#comments</comments>
		<pubDate>Wed, 10 Dec 2008 23:00:30 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Walt Whitman]]></category>

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		<description><![CDATA[This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to [...]]]></description>
			<content:encoded><![CDATA[<p>This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul; and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body… The poet shall not spend his time in unneeded work. He shall know that the ground is always ready ploughed and manured … others may not know it but he shall. He shall go directly to the creation. His trust shall master the trust of everything he touches … and shall master all attachment.</p>
<p>Walt Whitman</p>
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		<title>I Asked For Very Little From Life</title>
		<link>http://over-soul.org/2008/09/i-asked-for-very-little-from-life/</link>
		<comments>http://over-soul.org/2008/09/i-asked-for-very-little-from-life/#comments</comments>
		<pubDate>Sun, 14 Sep 2008 18:28:06 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Pessoa]]></category>

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		<description><![CDATA[I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything [...]]]></description>
			<content:encoded><![CDATA[<p>I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything from me &#8211; this was denied me, like the spare change we might deny a beggar not because we are mean-hearted but because we don&#8217;t feel like unbuttoning our coat.</p>
<p>Pessoa, <em>The Book of Disquiet</em></p>
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		<title>Life&#8217;s But a Walking Shadow</title>
		<link>http://over-soul.org/2008/07/lifes-but-a-walking-shadow/</link>
		<comments>http://over-soul.org/2008/07/lifes-but-a-walking-shadow/#comments</comments>
		<pubDate>Mon, 28 Jul 2008 21:55:47 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[William Shakespeare]]></category>

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		<description><![CDATA[To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life&#8217;s but a walking shadow, a poor player That struts and frets his hour upon the stage And [...]]]></description>
			<content:encoded><![CDATA[<p>To-morrow, and to-morrow, and to-morrow,<br />
Creeps in this petty pace from day to day<br />
To the last syllable of recorded time,<br />
And all our yesterdays have lighted fools<br />
The way to dusty death. Out, out, brief candle!<br />
Life&#8217;s but a walking shadow, a poor player<br />
That struts and frets his hour upon the stage<br />
And then is heard no more: it is a tale<br />
Told by an idiot, full of sound and fury,<br />
Signifying nothing.</p>
<p>William Shakespeare, <em>Macbeth</em> (Act 5, Scene 5)</p>
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		<title>A Supernatural Revelation</title>
		<link>http://over-soul.org/2008/04/a-supernatural-revelation/</link>
		<comments>http://over-soul.org/2008/04/a-supernatural-revelation/#comments</comments>
		<pubDate>Tue, 15 Apr 2008 05:17:49 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Goethe]]></category>

		<guid isPermaLink="false">http://www.alionline.net/notes/2008/04/a-supernatural-revelation/</guid>
		<description><![CDATA[Faust: &#8230; But now, that deep contentment in my breast, Alas, wells up no more, in spite of all my best Endeavours. Oh, how soon the stream runs dry, And in what parching thirst again we lie! How often this has happened to me! And yet, there is a remedy: We learn to seek a [...]]]></description>
			<content:encoded><![CDATA[<p>Faust: &#8230;<br />
But now, that deep contentment in my breast,<br />
Alas, wells up no more, in spite of all my best<br />
Endeavours. Oh, how soon the stream runs dry,<br />
And in what parching thirst again we lie!<br />
How often this has happened to me!<br />
And yet, there is a remedy:<br />
We learn to seek a higher inspiration,<br />
A supernatural revelation&#8211;<br />
And where does this shine in its fullest glory,<br />
If not in that old Gospel story?<br />
Here is the Greek text; I am moved to read<br />
Its sacred words, I feel the need<br />
Now to translate them true and clear<br />
Into the German tongue I hold so dear.</p>
<p>&#8216;In the beginning was the Word&#8217;: why, now<br />
I&#8217;m stuck already! I must change that; how?<br />
Is then &#8216;the word&#8217; so great and high a thing?<br />
There is some other rendering,<br />
Which with the spirit&#8217;s guidance I must find.<br />
We read: &#8216;In the beginning was the Mind.&#8217;<br />
Before you write this first phrase, think again;<br />
Good sense eludes the overhasty pen.<br />
Does &#8216;mind&#8217; set worlds on their creative course?<br />
It means: &#8216;In the beginning was the Force&#8217;.<br />
So it should be&#8211;but as I write this too,<br />
Some instinct warns me that it will not do.<br />
The spirit speaks! I see how it must read,<br />
And boldly write: &#8216;In the beginning was the Deed!&#8217;</p>
<p>Goethe, <em>Faust: Part One</em> &#8211; 6. Faust&#8217;s Study (I)</p>
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		<title>At the Gate of Death</title>
		<link>http://over-soul.org/2008/04/at-the-gate-of-death/</link>
		<comments>http://over-soul.org/2008/04/at-the-gate-of-death/#comments</comments>
		<pubDate>Tue, 15 Apr 2008 00:06:32 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Reflections]]></category>
		<category><![CDATA[Harold Bloom]]></category>

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		<description><![CDATA[Choose a poem that finds you, as Coleridge says, and read it deeply and often, out loud to yourself and to others. Internalizing the poems of Shakespeare, Milton, Whitman will teach you to think more comprehensively than Plato can. We cannot all become philosophers, but we can follow the poets in their ancient quarrel with [...]]]></description>
			<content:encoded><![CDATA[<p>Choose a poem that finds you, as Coleridge says, and read it deeply and often, out loud to yourself and to others. Internalizing the poems of Shakespeare, Milton, Whitman will teach you to think more comprehensively than Plato can. We cannot all become philosophers, but we can follow the poets in their ancient quarrel with philosophy, which may be a way of life but whose study is death. I do not think that poetry offers a way of life (except for a handful like Shelley or Hart Crane); it is too large, too Homeric for that. At the gate of death, I have recited poems to myself, but not searched for an interlocutor to engage in dialectic.</p>
<p>Harold Bloom, <em>Where Shall Wisdom Be Found?</em></p>
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		<title>My Soul and Thought</title>
		<link>http://over-soul.org/2008/04/my-soul-and-thought/</link>
		<comments>http://over-soul.org/2008/04/my-soul-and-thought/#comments</comments>
		<pubDate>Thu, 10 Apr 2008 05:25:02 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Kierkegaard]]></category>

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		<description><![CDATA[How barren is my soul and thought, and yet incessantly tormented by vacuous, rapturous and agonizing birth pangs! Is my spirit to be forever tongue-tied? Must I always babble? What I need is a voice as penetrating as the glance of Lynceus, terrifying as the sigh of the giants, persistent as a sound of nature, [...]]]></description>
			<content:encoded><![CDATA[<p>How barren is my soul and thought, and yet incessantly tormented by vacuous, rapturous and agonizing birth pangs! Is my spirit to be forever tongue-tied? Must I always babble? What I need is a voice as penetrating as the glance of Lynceus, terrifying as the sigh of the giants, persistent as a sound of nature, mocking as a frost-chilled gust of wind, malicious as Echo&#8217;s callous scorn, with a compass from the deepest bass to the most melting chest-notes, modulating from the whisper of gentle holiness to the violent fury of rage. That is what I need to get air, to give expression to what is on my mind, to stir the bowels of my wrath and of my sympathy. &#8211; But my voice is only hoarse like the cry of a gull, or dying away like the blessing upon the lips of the dumb.</p>
<p>Kierkegaard, <em>Either/Or</em> (Diapsalmata)</p>
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		<title>Wing-Footed Wanderer</title>
		<link>http://over-soul.org/2008/04/wing-footed-wanderer/</link>
		<comments>http://over-soul.org/2008/04/wing-footed-wanderer/#comments</comments>
		<pubDate>Tue, 08 Apr 2008 17:40:07 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

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		<description><![CDATA[He only can create the greatest imaginable beauty who has endured all imaginable pangs, for only when we have seen and foreseen what we dread shall we be rewarded by that dazzling, unforeseen, wing-footed wanderer. We could not find him if he were not in some sense of our being, and yet of our own [...]]]></description>
			<content:encoded><![CDATA[<p>He only can create the greatest imaginable beauty who has endured all imaginable pangs, for only when we have seen and foreseen what we dread shall we be rewarded by that dazzling, unforeseen, wing-footed wanderer. We could not find him if he were not in some sense of our being, and yet of our own being but as water with fire, a noise with silence. He is of all things not impossible the most difficult, for that which comes easily can never be a portion of our being; soon got, soon gone, as the proverb says. I shall find the dark grown luminous, the void fruitful when I understand I have nothing, that the ringers in the tower have appointed for the hymen of the soul a passing bell.</p>
<p>W.B. Yeats</p>
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		<title>The Beloved</title>
		<link>http://over-soul.org/2008/04/the-beloved/</link>
		<comments>http://over-soul.org/2008/04/the-beloved/#comments</comments>
		<pubDate>Tue, 01 Apr 2008 18:16:35 +0000</pubDate>
		<dc:creator>ali</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Novalis]]></category>

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		<description><![CDATA[Once when I was shedding bitter tears, when, dissolved in pain, my hope was melting away, and I stood alone by the barren mound which in its narrow dark bosom hid the vanished form of my Life, lonely as never yet was lonely man, driven by anxiety unspeakable, powerless, and no longer anything but a [...]]]></description>
			<content:encoded><![CDATA[<p>Once when I was shedding bitter tears, when, dissolved in pain, my hope was melting away, and I stood alone by the barren mound which in its narrow dark bosom hid the vanished form of my Life, lonely as never yet was lonely man, driven by anxiety unspeakable, powerless, and no longer anything but a conscious misery;&#8211;as there I looked about me for help, unable to go on or to turn back, and clung to the fleeting, extinguished life with an endless longing: then, out of the blue distances &#8212; from the hills of my ancient bliss, came a shiver of twilight &#8212; and at once snapt the bond of birth, the chains of the Light. Away fled the glory of the world, and with it my mourning; the sadness flowed together into a new, unfathomable world. Thou, soul of the Night, heavenly Slumber, didst come upon me; the region gently upheaved itself; over it hovered my unbound, newborn spirit. The mound became a cloud of dust, and through the cloud I saw the glorified face of my beloved. In her eyes eternity reposed. I laid hold of her hands, and the tears became a sparkling bond that could not be broken. Into the distance swept by, like a tempest, thousands of years. On her neck I welcomed the new life with ecstatic tears. Never was such another dream; then first and ever since I hold fast an eternal, unchangeable faith in the heaven of the Night, and its Light, the Beloved.</p>
<p>Novalis, <a href="http://filepedia.org/node/43"><em>Hymns to the Night</em></a></p>
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