Month: September 2007

The Truth

I can imagine someone copying out how Felix Arvers died. It was in a hospital. He was dying gently and serenely, and the nun perhaps thought that he was further along in it than he really was. She shouted out some instructions, in a very loud voice, indicating where something or other could be found. She was a rather uneducated nun; she had never seen in writing the word “corridor,” which at that moment she couldn’t avoid using. Thus it happened that she said “collidor,” thinking that this was the proper way to pronounce it. Thereupon Arvers postponed dying. He felt it was necessary to clear up this matter first. He became perfectly lucid and explained to her that it should be “corridor.” He then died. He was a poet and hated the approximate; or perhaps he was concerned only with the truth; or it annoyed him to be taking along as his last impression the thought that the world would continue to go on carelessly. Whatever the reason was can no longer be determined. But let no one think it was pedantry. Otherwise, the same reproach would fall on the saintly Jean de Dieu, who in the midst of his dying jumped up and ran out to the garden, just in time to cut down the man who had hanged himself there, tidings of whom had in some miraculous way penetrated the hidden tension of his agony. He too was concerned only with the truth.

Rilke, The Notebooks of Malte Laurids Brigge

The Poet

What makes a poet a poet is the fact that he sees himself surrounded by figures who live and act before him, and into his innermost essence he gazes…What allows Homer to depict things so much more vividly than all other poets? It is the fact that he looks at things so much more than they do. We talk so abstractly about poetry because we are usually all bad poets. Fundamentally the aesthetic phenomenon is simple; one only has to have the ability to watch a living play continuously and to live constantly surrounded by crowds of spirits, then one is a poet; if one feels the impulse to transform oneself and to speak out of other bodies and souls, then one is a dramatist.

Nietzsche, The Birth of Tragedy

A Finite Image of Infinity

A finite image of Infinity:
This is the nature of all poetry.
all human work to its last limit tends;
Its archetype in Heaven never ends.

What is the sense of Beauty and of Art?
To show the way into our inmost Heart.

The singing of a bird came from the sky;
The world had been a dream; the song was I.

Frithjof Schuon, The Garland (1994)

A Writer

A writer, I say, must have not only a story to tell but a story that he must tell. And, in order to do so, he must struggle to find a voice. Whether he works for or against the natural iambic meter of the English language, the writer must be in love with language, with the words themselves, the sound of the words on the page, the music they make in meaning. He must love them not so much in order to express the self as to discover a self, and, through it, his province, his territory, the territory of his story.

Lynn Freed

Whither Does it Lead?

There exists in the world a single path along which no one can go except you: whither does it lead? Do not ask, go along it. Who was it who said: ‘a man never rises higher than when he does not know whither his path can still lead him?’

Nietzsche, The Birth of Tragedy

The Voyage

But the real travelers are those who leave for leaving’s sake; their hearts are light as balloons, they never diverge from the path of their fate and, without knowing why, always say, ‘Let’s go.’

They are the ones whose desires have the shape of clouds, and who dream as a new recruit dreams of cannon fire, of limitless pleasures, ever-changing, unknown, which the human mind has never been able to name.

Charles Baudelaire

The End of the Day

Under a bleak white light she runs, dances and writhes without reason – Life, shameless and shrill. And so, as soon as on the horizon

Voluptuous night rises, calming everything, even hunger, blotting out everything, even shame, the Poet says to himself, ‘At last!

‘My spirit, like my spine, ardently prays for rest; with a heart full of funeral dreams,

‘I shall lie down on my back and roll myself up in your curtains, o refreshing darkness!’

Charles Baudelaire

The Death of Lovers

We shall have beds filled with light odours, couches deep as tombs, and, set out on shelves, rare flowers which bloomed for us under more beautiful skies.

Vying to use up their last heats, our hearts will be two great torches, which will reflect their double lights in our two spirits, those twin mirrors.

One evening made of mystic blue and rose, we shall exchange a single bolt of lightning, like a long sob, laden with farewells;

And later an Angel, gently opening the doors, will come, faithful and joyous, to revive the dulled mirrors and the dead flames.

Charles Baudelaire

The Death of the Poor

It is Death which consoles men, alas, and keeps them alive. Death is the aim of life; it is the only hope which, like an elixir, raises our spirits and intoxicates us, and gives us the heart to march until evening;

Through the storm, and the snow, and the frost, it is the light pulsating on our black horizon; it is the famous inn promised in the book where we shall eat, and sleep, and sit down;

It is an Angel who holds in his magnetic fingers sleep and the gift of ecstatic dreams, who makes up the bed of the poor and naked;

It is the glory of the gods, the mystic granary, the poor man’s purse and his ancient fatherland, it is the portico open on to the unknown Heavens!

Charles Baudelaire

To Be Great is to Be Misunderstood

Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. — ‘Ah, so you shall be sure to be misunderstood.’ — Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.

Ralph Waldo Emerson, Self-Reliance