That there is a need for this effect is a feeling which each of us would grasp intuitively, if he were ever to feel himself translated, even just in dream, back into the life of an ancient Hellene. As he wandered beneath rows of high, Ionic columns, gazing upwards to a horizon cut off by pure and noble lines, seeing beside him reflections of his own, transfigured form in luminous marble, surrounded by human beings who walk solemnly or move delicately, with harmonious sounds and a rhythmic language of gestures – would such a person, with all this beauty streaming in on him from all sides, not be bound to call out, as he raised a hand to Apollo: ’Blessed people of Hellas! How great must Dionysos be amongst you, if the God of Delos considers such acts of magic are needed to heal your dithyrambic madness!’ It is likely, however, that an aged Athenian would reply to a visitor in this mood, looking up at him with the sublime eye of Aeschylus: ‘But say this, curious stranger: how much did this people have to suffer in order that it might become so beautiful! But now follow me to the tragedy and sacrifice along with me in the temple of both deities!’
Nietzsche, The Birth of Tragedy