A Priest of Truth

Here is an invigorating thought, one which elevates the soul and which each of us who is worthy of his vocation can have: “Within my special area the culture of my age and of future ages is entrusted to me. My labors will help determine the course of future generations and the history of the nations still to come. I am called to testify to the truth. My life and destiny do not matter at all, but infinitely much depends upon the results of my life. I am a priest of truth. I am in its pay, and thus I have committed my self to do, to risk, and to suffer anything for its sake. If I should be pursued and hated for the truth’s sake, or if I should die in its service, what more would I have done than what I simply had to do?”

Fichte

Let Life Happen to You

You must realize that something is happening to you, that life has not forgotten you, that it holds you in its hand and will not let you fall. Why do you want to shut out of your life any uneasiness, any misery, any depression, since after all you don’t know what work these conditions are doing inside you? Why do you want to persecute yourself with the question of where all this is coming from and where it is going? Since you know, after all, that you are in the midst of transitions and you wished for nothing so much as to change.

Just the wish that you may find in yourself enough patience to endure and enough simplicity to have faith; that you may gain more and more confidence in what is difficult and in your solitude among other people. And as for the rest, let life happen to you. Believe me: life is in the right, always.

And about feelings: All feelings that concentrate you and lift you up are pure; only that feeling is impure which grasps just one side of your being and thus distorts you. Everything you can think of as you face your childhood, is good. Everything that makes more of you than you have ever been, even in your best hours, is right. Every intensification is good, if it is in your entire blood, if it isn’t intoxication or muddiness, but joy which you can see into, clear to the bottom. Do you understand what I mean?

And your doubt can become a good quality if you train it. It must become knowing, it must become criticism. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perhaps bewildered and embarrassed, perhaps also protesting. But don’t give in, insist on arguments, and act in this way, attentive and persistent, every single time, and the day will come when instead of being a destroyer, it will become one of your best workers – perhaps the most intelligent of all the ones that are building your life.

Rilke, Letters to a Young Poet

Genius

The measure of genius is character. Genius is not talent plus character, but character manifesting itself in the form of a special talent. Just as one man will show courage by jumping into the water after someone, so another will show courage by writing a symphony. Genius is talent exercised with courage.

Wittgenstein

Go Into Yourself

You are looking outside, and that is what you should most avoid right now. No one can advise or help you – no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose.

Rilke, Letters To A Young Poet

Bear Your Sadnesses

If only it were possible for us to see farther than our knowledge reaches, and even a little beyond the outworks of our presentiment, perhaps we would bear our sadnesses with greater trust than we have in our joys. For they are the moments when something new has entered us, something unknown; our feelings grow mute in shy embarrassment, everything in us withdraws, a silence arises, and the new experience, which no one knows, stands in the midst of it all and says nothing.

Rilke, Letters To A Young Poet

The Pathos of Death

The pathos of death is this, that when the days of one’s life are ended, those days that were so crowded with business and felt so heavy in their passing, what remains of one in memory should usually be so slight a thing. The phantom of an attitude, the echo of a certain mode of thought, a few pages of print, some invention, or some victory we gained in a brief critical hour, are all that can survive the best of us. It is as if the whole of a man’s significance had now shrunk into the phantom of an attitude, into a mere musical note or phrase suggestive of his singularity — happy are those whose singularity gives a note so clear as to be victorious over the inevitable pity of such a diminution and abridgement.

William James, Address at the Emerson Centenary in Concord (1903)

What is a Poet?

What is a poet? A poet is an unhappy being whose heart is torn by secret sufferings, but whose lips are so strangely formed that when the sighs and the cries escape them, they sound like beautiful music. His fate is like that of the unfortunate victims whom the tyrant Phalaris imprisoned in a brazen bull and slowly tortured over a steady fire; their cries could not reach the tyrant’s ears so as to strike terror into his heart; when they reached his ears they sounded like sweet music. And men crowd about the poet and say to him: “Sing for us soon again”; that is as much as to say: “may new sufferings torment your soul, but may your lips be formed as before; for the cries would only frighten us, but the music is delicious.” And the critics come, too, and say: “quite correct, and so it ought to be according to the rules of aesthetics.” Now it is understood that a critic resembles a poet to a hair; he only lacks the suffering in his heart and the music upon his lips. Lo, therefore, I would rather be a swineherd from Amager, and be understood by the swine, then be a poet and be misunderstood by men.

Kierkegaard

Whither Does it Lead?

There exists in the world a single path along which no one can go except you: whither does it lead? Do not ask, go along it. Who was it who said: ‘a man never rises higher than when he does not know whither his path can still lead him?’

Nietzsche, The Birth of Tragedy

To Be Great is to Be Misunderstood

Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. — ‘Ah, so you shall be sure to be misunderstood.’ — Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.

Ralph Waldo Emerson, Self-Reliance

Why Drag About This Corpse of Your Memory?

But why should you keep your head over your shoulder? Why drag about this corpse of your memory, lest you contradict somewhat you have stated in this or that public place? Suppose you should contradict yourself; what then? It seems to be a rule of wisdom never to rely on your memory alone, scarcely even in acts of pure memory, but to bring the past for judgment into the thousand-eyed present, and live ever in a new day. In your metaphysics you have denied personality to the Deity: yet when the devout motions of the soul come, yield to them heart and life, though they should clothe God with shape and color. Leave your theory, as Joseph his coat in the hand of the harlot, and flee.

Ralph Waldo Emerson, Self-Reliance