What is Philosophy?

What philosophy is as such cannot be answered immediately. If it were so easy to agree about a definite concept of philosophy, one would only need to analyze this concept to see oneself at once in possession of a philosophy of universal validity. The point is this: philosophy is not something with which our mind, without its own agency, is originally and by nature imbued. It is throughout a work of freedom. It is for each only what he has himself made it; and therefore the idea of a philosophy [is] only the result of philosophy itself; a universally valid philosophy, however, [is] a vainglorious figment of the imagination.

Schelling

The Holy Rejected Spinoza!

Respectfully offer up with me a lock of hair to the means of the holy rejected Spinoza! The high world spirit permeated him, the infinite was his beginning and end, the universe his only and eternal love; in holy innocence and deep humility he was reflected in the eternal world and saw how he too was its most lovable mirror; he was full of religion and full of holy spirit; for this reason, he also stands there alone and unequaled, master in his art but elevated above the profane guild, without disciples and without rights of citizenship.

Schleiermacher, On Religion: Speeches to its Cultured Despisers

The Madman

§125

The madman. – Haven’t you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, `I’m looking for God! I’m looking for God!’ Since many of those who did not believe in God were standing around together just then, he caused great laughter. Has he been lost, then? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated? – Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. ‘Where is God” he cried; ‘I’ll tell you! We have killed him – you and I! We are all his murderers. But how did we do this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are we not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren’t we straying as though through an infinite nothing? Isn’t empty space breathing at us? Hasn’t it got colder? Isn’t night and more night coming again and again? Don’t lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? – Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers! The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves! Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it? There was never a greater deed and whoever is born after us will on account of this deed belong to a higher history than all history up to now!’ Here the madman fell silent and looked again at his listeners; they too were silent and looked at him disconcertedly. Finally he threw his lantern on the ground so that it broke into pieces and went out. ‘I come too early’, he then said; ‘my time is not yet. This tremendous event is still on its way, wandering; it has not yet reached the ears of men. Lightning and thunder need time; the light of the stars needs time; deeds need time, even after they are done, in order to be seen and heard. This deed is still more remote to them than the remotest stars – and yet they have done it themselves!’ It is still recounted how on the same day the madman forced his way into several churches and there started singing his requiem aeternam deo.† Led out and called to account, he is said always to have replied nothing but, ‘What then are these churches now if not the tombs and sepulchers of God?’

† ‘Grant God eternal rest.’ A transformation of that part of the service for the dead which reads ‘Requiem aeternam dona eis [scilicet, mortuis], Domine’ (‘Lord, grant them [the dead] eternal rest’)

Nietzsche, The Gay Science

The Slow Arrow of Beauty

§149

The slow arrow of beauty. – The noblest kind of beauty is not that which suddenly transports us, which makes a violent and intoxicating assault upon us (such beauty can easily excite disgust), but that which slowly infiltrates us, which we bear away with us almost without noticing and encounter again in dreams, but which finally, after having for long lain modestly in our heart, takes total possession of us, filling our eyes with tears and our heart with longing. – What is it we long for at the sight of beauty? To be beautiful ourself: we imagine we would be very happy if we were beautiful. – But that is an error.

Nietzsche, Human, All Too Human

The Walls of Our Cage

My whole tendency and I believe the tendency of all men who ever tried to write or talk Ethics or Religion was to turn against the boundaries of language. This running against the walls of our cage is perfectly, absolutely hopeless. Ethics so far as it springs from the desire to say something about the ultimate meaning of life, the absolute good, the absolute valuable, can be no science. What it says does not add to our knowledge in any sense. But it is a document of tendency in the human mind which I personally cannot help respecting deeply and I would not for my life ridicule it.

Wittgenstein, Lecture on Ethics

The Ideal Artist

Thus it is that ideas, which grow up within the imagination and appear so lovely to it and of a value beyond whatever men call valuable, are exposed to be shattered and annihilated by contact with the practical. It is requisite for the ideal artist to possess a force of character that seems hardly compatible with its delicacy; he must keep his faith in himself while the incredulous world assails him with its utter disbelief; he must stand up against mankind and be his own sole disciple, both as respects his genius and the objects to which it is directed.

Nathaniel Hawthorne, The Artist of the Beautiful

The Beautiful

I have found a definition of the Beautiful, of my own conception of the Beautiful. It is something intense and sad, something a little vague, leaving scope for conjecture. I am ready, if you will, to apply my ideas to a sentient object, to that object, for example, which Society finds the most interesting of all, a woman’s face. A beautiful and seductive head, a woman’s head, I mean, makes one dream, but in a confused fashion, at once of pleasure and of sadness; conveys an idea of melancholy, of lassitude, even of satiety-a contradictory impression, of an ardor, that is to say, and a desire for life together with a bitterness which flows back upon them as if from a sense of deprivation and hopelessness. Mystery and regret are also characteristics of the Beautiful.

Charles Baudelaire