Beauty Goes Unrecognized

Seek not to discover the deficiencies and imperfections in works of art before you have learned to recognize and find beauty. This memorandum is based on my daily experience of observing that beauty goes unrecognized by the majority of people because they wish to play the critic before they have begun to be students. They are like schoolboys who are all clever enough to discover the weaknesses of the schoolmaster. Our vanity will not allow us to pass by with only an idle gaze, and our self-complacency wants to be flattered; therefore we seek to pass judgment. But just as it is easier to make a negative statement than a positive one, so imperfections are much more easy to observe and detect than perfection; and it takes less effort to judge others than it takes to improve ourselves.

Winckelmann

Her Divine Breath

How my heart beats when by accident I touch her finger, or my feet meet hers under the table! I draw back as from a flame, but a secret force impels me forward again, and I begin to feel faint. Oh! Her innocent, pure heart never knows what agony these little familiarities inflict on me. Sometimes when we are talking she lays her hand on mine and in the eagerness of conversation comes closer to me, and her divine breath brushes my lips—I feel as if lightning had struck me, and I could sink into the earth. And yet, Wilhelm, with all this heavenly intimacy— if I should ever dare—you understand. No! my heart is not so depraved; it is weak, weak enough—but isn’t that a kind of depravity?

She is sacred to me. All desire is silenced in her presence; I don’t know what I feel when I’m near her. It is as if my soul beat in every nerve of my body. There is a melody which she plays on the piano with the touch of an angel—so simple is it, and yet so lofty! It’s her favorite song, and when she strikes the first note all my worry and sorrow disappear in a moment.

I believe every word that is said of the ancient magic of music. How her simple song enchants me! And how she knows when to play it! Sometimes, when I feel like shooting a bullet into my head, she begins to sing. The gloom and madness are dispersed, and I breathe freely again.

Goethe, The Sorrows of Young Werther

Unattainable Happiness

Distance, my friend, is like the future. A dim vastness is spread before our soul; our feelings are as obscure as our vision, and we desire to surrender our whole being, that it may be filled with the perfect bliss of one glorious emotion–but alas! when we rush towards our goal, when the distant there becomes the present here, all is the same; we are as poor and limited as ever, and our soul still languishes for unattainable happiness.

And so the restless traveler at last longs for his native soil, and finds in his own cottage, in the arms of his wife, in the affection of his children, and the labor necessary for their support, all that happiness which he sought in vain in the wide word.

Goethe, The Sorrows of Young Werther

Two Rak’as

It is said that two rak’as of prayer are better than the world and all it contains. This does not apply to every person. The person to whom this applies is one who considers it more serious to miss two rak’as than to lose the world and all it contains, that is, one for whom it would be harder to miss those two rak’as than to lose possession of the whole world.

Rumi, Fihi Ma Fih

The Eyes of People

I like so much better to paint the eyes of people than to paint cathedrals; for there is something in the eyes that is not in the cathedral, however solemn and imposing it may be; a human soul, be it that of a poor beggar or a woman of the street, is more interesting.

I tell you the more I think, the more I feel that there is nothing more truly artistic than to love people. If what one is doing looks out upon the infinite, and if one sees that the work has its vital principle and continuance beyond, one works with more serenity.

Van Gogh

Sessions of Sweet Silent Thought

When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time’s waste:
Then can I drown an eye, unused to flow,
For precious friends hid in death’s dateless night,
And weep afresh love’s long since cancell’d woe,
And moan the expense of many a vanish’d sight:
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o’er
The sad account of fore-bemoanèd moan,
Which I new pay as if not paid before.
But if the while I think on thee, dear friend,
All losses are restored and sorrows end.

William Shakespeare, Sonnet 30

Let Life Happen to You

You must realize that something is happening to you, that life has not forgotten you, that it holds you in its hand and will not let you fall. Why do you want to shut out of your life any uneasiness, any misery, any depression, since after all you don’t know what work these conditions are doing inside you? Why do you want to persecute yourself with the question of where all this is coming from and where it is going? Since you know, after all, that you are in the midst of transitions and you wished for nothing so much as to change.

Just the wish that you may find in yourself enough patience to endure and enough simplicity to have faith; that you may gain more and more confidence in what is difficult and in your solitude among other people. And as for the rest, let life happen to you. Believe me: life is in the right, always.

And about feelings: All feelings that concentrate you and lift you up are pure; only that feeling is impure which grasps just one side of your being and thus distorts you. Everything you can think of as you face your childhood, is good. Everything that makes more of you than you have ever been, even in your best hours, is right. Every intensification is good, if it is in your entire blood, if it isn’t intoxication or muddiness, but joy which you can see into, clear to the bottom. Do you understand what I mean?

And your doubt can become a good quality if you train it. It must become knowing, it must become criticism. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perhaps bewildered and embarrassed, perhaps also protesting. But don’t give in, insist on arguments, and act in this way, attentive and persistent, every single time, and the day will come when instead of being a destroyer, it will become one of your best workers – perhaps the most intelligent of all the ones that are building your life.

Rilke, Letters to a Young Poet

None Can Live in Love Without Suffering

Love is swift, pure, tender, joyful, and pleasant. Love is strong, patient, faithful, prudent, long-suffering, vigorous, and never self-seeking. For when a man is self-seeking he abandons love. Love is watchful, humble, and upright; love is not fickle and sentimental, nor is it intent on vanities. It is sober, pure, steadfast, quiet, and guarded in all the senses. Love is submissive and obedient to superiors, mean and contemptible in its own sight, devoted and thankful to God, trusting and hoping in Him even when not enjoying his sweetness; for none can live in love without suffering.

Whoever, is not prepared to endure everything, and to stand firmly by the will of the Beloved, is not worthy to be called a lover. A lover must willingly accept every hardship and bitterness for the sake of his Beloved, and must never desert Him because of adversity.

Thomas a Kempis, The Imitation of Christ

Tom O’ Bedlam

With a host of furious fancies,
Whereof I am commander,
With a burning spear and a horse of air
To the wilderness I wander.

By a knight of ghosts and shadows
I summon’d am to tourney
Ten leagues beyond the wide world’s end-
Methinks it is no journey.

While I doe sing “any foode, any feeding,
Feedinge, drinke or clothing,”
Come dame or maid, be not afraid,
Poor Tom will injure nothing.

Of thirty years have I
Twice twenty been enragéd
And of forty been three times fifteen
In durance soundly cagéd

On the lordly lofts of Bedlam
With stubble soft and dainty,
Brave bracelets strong, sweet whips, ding-dong,
With wholesome hunger plenty.

While I doe sing “any foode, any feeding,
Feedinge, drinke or clothing,”
Come dame or maid, be not afraid,
Poor Tom will injure nothing.

Unknown